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The Glory of English Prose - Letters to My Grandson by Stephen Coleridge
page 51 of 149 (34%)
sonorous, and the industry and erudition involved in its production must
have been immense.

Although it never sinks below a noble elevation of style, it nevertheless
displays no uplifting flights of eloquence or declamation, and to me, and
probably to you, Antony, the most moving passages in Gibbon's
writings are those that describe with unaffected emotion the moment of
the first resolve to compose the great history and the night when he
wrote the last line of it. On page 129 of his memoirs[1] he wrote:--

"It was at Rome on the 15th of October, 1764, as I sat musing
amidst the ruins of the Capitol, while the bare-footed fryars were
singing vespers in the Temple of Jupiter, that the idea of writing
the decline and fall of the city first started to my mind."

Thus did he resolve to devote himself to the tremendous task, and at
Lausanne twenty-three years later it was at last fulfilled. He recorded
the event in a few pregnant sentences that are strangely memorable:--

"It was on the day, or rather night, of the 27th of June, 1787,
between the hours of eleven and twelve, that I wrote the last
lines of the last page, in a summer-house in my garden. After
laying down my pen I took several turns in a berceau, or covered
walk of acacias, which commands a prospect of the country, the
lake, and the mountains. The air was temperate, the sky was
serene, the silver orb of the moon was reflected from the waters,
and all nature was silent. I will not dissemble the first
emotions of joy on the recovery of my freedom, and perhaps, the
establishment of my fame. But my pride was soon humbled, and a
sober melancholy was spread over my mind, by the idea that I had
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