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Life And Letters Of John Gay (1685-1732) by Lewis Melville
page 106 of 221 (47%)
even Ministers of State, whom he is thought to have most offended (next
to those whom the actors represented) appear frequently at the theatre,
from a consciousness of their own innocence, and to convince the world
how unjust a parallel, malice, envy, and disaffection to the Government
have made.

"I am assured that several worthy clergymen in this city went privately
to see 'The Beggar's Opera' represented; and that the fleering coxcombs
in the pit amused themselves with making discoveries, and spreading the
names of those gentlemen round the audience.

"I shall not pretend to vindicate a clergyman who would appear openly
in his habit at the theatre, with such a vicious crew as might probably
stand round him, at such comedies and profane tragedies as are often
represented. Besides, I know very well, that persons of their function
are bound to avoid the appearance of evil, or of giving cause of
offence. But when the Lords Chancellors, who are Keepers of the King's
Conscience; when the Judges of the land, whose title is reverend; when
ladies, who are bound by the rules of their sex to the strictest
decency, appear in the theatre without censure; I cannot understand why
a young clergyman, who comes concealed out of curiosity to see an
innocent and moral play, should be so highly condemned; nor do I much
approve the rigour of a great prelate, who said, 'he hoped none of his
clergy were there.' I am glad to hear there are no weightier objections
against that reverend body, planted in this city, and I wish there never
may. But I should be very sorry that any of them should be so weak as to
imitate a Court chaplain in England, who preached against 'The Beggar's
Opera,' which will probably do more good than a thousand sermons of so
stupid, so injudicious, and so prostitute a divine.

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