that we have one of the favourite types of woman in literature for the
next twenty years--the misunderstood woman.

The misunderstood woman is pale, fragile, and subject to fainting. Up to
page 99 of the book, Indiana has fainted three times. I did not continue
counting. This fainting was not the result of bad health. It was the
fashion to faint. The days of nerves and languid airs had come back. The
women whose grandmothers had walked so firmly to the scaffold, and
whose mothers had listened bravely to the firing of the cannon under the
Empire, were now depressed and tearful, like so many plaintive elegies.
It was just a matter of fashion. The misunderstood woman was supposed
to be unhappy with her husband, but she would not have been any happier
with another man. Indiana does not find fault with Colonel Delmare for
being the husband that he is, but simply for being the husband!

"She did not love her husband, for the mere reason, perhaps, that she
was told it was her duty to love him and that it had become her second
nature, a principle and a law of her conscience to resist inwardly
all moral constraint." She affected a most irritating gentleness, an
exasperating submissiveness. When she put on her superior, resigned
airs, it was enough to unhinge an angel. Besides, what was there to
complain about, and why should she not accommodate herself to conditions
of existence with which so many others fall in? She must not be compared
to others, though. She is eminently a distinguished woman, and she asks
without shrinking: "Do you know what it means to love a woman such as I
am?"

In her long silences and her persistent melancholy, she is no doubt
thinking of the love appropriate to a woman such as she is. She was a
princess in exile and times were then hard for princesses. That is why