on the women she styled "the old Countesses." She had a great deal of
natural wit, a liveliness peculiar to the native of the faubourgs, all
the impudence of the street arab, and a veritable talent of mimicry.
She was a good housewife, active, industrious and most clever in turning
everything to account. With a mere nothing she could improvise a dress
or a hat and give it a certain style. She was always most skilful with
her fingers, a typical Parisian work-girl, a daughter of the street and
a child of the people. In our times she would be styled "a midinette."

Such are the two women who shared the affection of Aurore Dupin. Fate
had brought them together, but had made them so unlike that they were
bound to dislike each other. The childhood of little Aurore served as
the lists for their contentions. Their rivalry was the dominating note
in the sentimental education of the child.

As long as Maurice Dupin lived, Aurore was always with her parents in
their little Parisian dwelling. Maurice Dupin was a brilliant officer,
and very brave and jovial. In 1808, Aurore went to him in Madrid, where
he was Murat's _aide-de-camp_. She lived in the palace of the Prince
of Peace, that vast palace which Murat filled with the splendour of his
costumes and the groans caused by his suffering. Like Victor Hugo,
who went to the same place at about the same time and under similar
conditions, Aurore may have brought back with her:

_de ses courses lointaines_
_Comme un vaguefaisceau de lueurs incertaines._

This does not seem probable, though. The return was painful, as they
came back worried and ill, and were glad to take refuge at Nohant.
They were just beginning to organize their life when Maurice Dupin died