street, the only distraction to the eye was a file of hackney-coaches,
which stood at the upper end of the rue Mazarin. After a while, the
widow put boxes of earth in front of her windows, and cultivated those
aerial gardens that police regulations forbid, though their vegetable
products purify the atmosphere. The house, which backed up against
another fronting on the rue de Seine, was necessarily shallow, and the
staircase wound round upon itself. The third floor was the last. Three
windows to three rooms, namely, a dining-room, a small salon, and a
chamber on one side of the landing; on the other, a little kitchen,
and two single rooms; above, an immense garret without partitions.
Madame Bridau chose this lodging for three reasons: economy, for it
cost only four hundred francs a year, so that she took a lease of it
for nine years; proximity to her sons' school, the Imperial Lyceum
being at a short distance; thirdly, because it was in the quarter to
which she was used.

The inside of the _appartement_ was in keeping with the general look of
the house. The dining-room, hung with a yellow paper covered with
little green flowers, and floored with tiles that were not glazed,
contained nothing that was not strictly necessary,--namely, a table,
two sideboards, and six chairs, brought from the other _appartement_.
The salon was adorned with an Aubusson carpet given to Bridau when the
ministry of the interior was refurnished. To the furniture of this
room the widow added one of those commonplace mahogany sofas with the
Egyptian heads that Jacob Desmalter manufactured by the gross in 1806,
covering them with a silken green stuff bearing a design of white
geometric circles. Above this piece of furniture hung a portrait of
Bridau, done in pastel by the hand of an amateur, which at once
attracted the eye. Though art might have something to say against it,
no one could fail to recognize the firmness of the noble and obscure