half-fainting on a mattress.

Artists will readily guess what ailed Joseph, and kept him restless
all night. He imagined the tale the bourgeoisie of Issoudun would tell
of him. They would say he had fleeced his uncle; that he was
everything but what he had tried to be,--a loyal fellow and an honest
artist! Ah! he would have given his great picture to have flown like a
swallow to Paris, and thrown his uncle's paintings at Max's nose. To
be the one robbed, and to be thought the robber!--what irony! So at
the earliest dawn, he had started for the poplar avenue which led to
Tivoli, to give free course to his agitation.

While the innocent fellow was vowing, by way of consolation, never to
return to Issoudun, Max was preparing a horrible outrage for his
sensitive spirit. When Monsieur Goddet had probed the wound and
discovered that the knife, turned aside by a little pocket-book, had
happily spared Max's life (though making a serious wound), he did as
all doctors, and particularly country surgeons, do; he paved the way
for his own credit by "not answering for the patient's life"; and
then, after dressing the soldier's wound, and stating the verdict of
science to the Rabouilleuse, Jean-Jacques Rouget, Kouski, and the
Vedie, he left the house. The Rabouilleuse came in tears to her dear
Max, while Kouski and the Vedie told the assembled crowd that the
captain was in a fair way to die. The news brought nearly two hundred
persons in groups about the place Saint-Jean and the two Narettes.

"I sha'n't be a month in bed; and I know who struck the blow,"
whispered Max to Flore. "But we'll profit by it to get rid of the
Parisians. I have said I thought I recognized the painter; so pretend
that I am expected to die, and try to have Joseph Bridau arrested. Let