very prettily set up, thanks to an old silk dealer named Cardot, who
gives her five hundred francs a month."

"Well, but--?" exclaimed the jealous Philippe.

"Bah!" said Giroudeau; "true love is blind."

When the play was over Giroudeau took Philippe to Mademoiselle
Florentine's _appartement_, which was close to the theatre, in the rue
de Crussol.

"We must behave ourselves," said Giroudeau. "Florentine's mother is
here. You see, I haven't the means to pay for one, so the worthy woman
is really her own mother. She used to be a concierge, but she's not
without intelligence. Call her Madame; she makes a point of it."

Florentine happened that night to have a friend with her,--a certain
Marie Godeschal, beautiful as an angel, cold as a danseuse, and a
pupil of Vestris, who foretold for her a great choregraphic destiny.
Mademoiselle Godeschal, anxious to make her first appearance at the
Panorama-Dramatique under the name of Mariette, based her hopes on the
protection and influence of a first gentleman of the bedchamber, to
whom Vestris had promised to introduce her. Vestris, still green
himself at this period, did not think his pupil sufficiently trained
to risk the introduction. The ambitious girl did, in the end, make her
pseudonym of Mariette famous; and the motive of her ambition, it must
be said, was praiseworthy. She had a brother, a clerk in Derville's
law office. Left orphans and very poor, and devoted to each other, the
brother and sister had seen life such as it is in Paris. The one
wished to be a lawyer that he might support his sister, and he lived