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The Development of the Feeling for Nature in the Middle Ages and Modern Times by Alfred Biese
page 11 of 509 (02%)
Say mountain, whose expansive slope confines
The forest verge, oh, tell me hast thou seen
A nymph as beauteous as the bride of love
Mounting with slender frame thy steep ascent,
Or wearied, resting in thy crowning woods?

As he sits by the side of the stream, he asks whence comes its charm:

Whilst gazing on the stream, whose new swollen waters
Yet turbid flow, what strange imaginings
Possess my soul and fill it with delight.
The rippling wave is like her aching brow;
The fluttering line of storks, her timid tongue;
The foaming spray, her white loose floating vest;
And this meandering course the current tracks
Her undulating gait.

Then he sees a creeper without flowers, and a strange attraction
impels him to embrace it, for its likeness to his lost love:

Vine of the wilderness, behold
A lone heartbroken wretch in me,
Who dreams in his embrace to fold
His love, as wild he clings to thee.

Thereupon the creeper transforms itself into Urwasi.

In Kalidasa's _Sakuntala_, too, when the pretty girls are watering
the flowers in the garden, Sakuntala says: 'It is not only in
obedience to our father that I thus employ myself. I really feel the
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