The pipes under pent of the crag,
Where the goatherds in piping recline,
Have whimsical stops, burst and flag
Uncorrected as outstretched swine:
For the fingers are slack and unsure,
And the wind issues querulous:- thorns
And snakes!--but she listened demure,
Comparing day's music with morn's.
Of the gentle spirit that slips
From the bark of the tree she discoursed,
And of her of the wells, whose lips
Are coolness enchanting, rock-sourced.
And much of the sacred loon,
The frolic, the Goatfoot God,
For stories of indolent noon
In the pineforest's odorous nod,
She questioned, not knowing: he can
Be waspish, irascible, rude,
He is oftener friendly to man,
And ever to beasts and their brood.
For the which did she love him well,
She said, and his pipes of the reed,
His twitched lips puffing to tell
In music his tears and his need,
Against the sharp catch of his hurt.
Not as shepherds of Pan did she speak,
Nor spake as the schools, to divert,
But fondly, perceiving him weak
Before Gods, and to shepherds a fear,
A holiness, horn and heel.