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Chambers's Edinburgh Journal, No. 418 - Volume 17, New Series, January 3, 1852 by Various
page 8 of 66 (12%)
go--now up, now down, relatively to each other, but always ascending
higher and higher, till the spectators almost fear that they will vanish
out of sight. But at length the Green, taking advantage of a loftier
position he has gained, makes a sudden circuit, and by an adroit
manoeuvre gets his silken string over the silken string of the other,
Here a shout of triumph and a yell of terror break simultaneously from
the crowd; for this is the crisis of the fight. The victor gives a
fierce cut upon his adversary's line. The backers of the latter fancy
they hear it grate, and in an instant their forebodings are realised;
far the unfortunate Red is seen to waver like a bird struck by a shot,
and then, released from the severed string, he descends in forlorn
gyrations to the earth.

Now rush in the smaller boys to play their part, Their object is that of
the plunderers who traverse the field after a battle, to rob the dying
and the slain. Off run the little Hindoos, like a company of imps from
the nether regions, tearing and fighting as they fly; and on reaching
the fallen kite, the object of their contention is torn to pieces in the
scuffle. Presently the victorious Green is seen descending, and the gross
excitement of the common pauses to watch his majestic flight. He is of
the largest size of Indian kites called _ching_, and of the spider
shape. Before being drawn in, he hangs for an instant high up over the
crowd. It is not, however, to sing _Io Pæans_ for his victory, but
apparently rather to mourn over the ruin he has made; for a wailing
music breathes from his wings as he passes. This is caused by the action
of the wind upon some finely-split bamboo twigs arched over the kite
without touching the paper, and which thus become a true Æolian harp.
Sometimes a kite of this kind is sent up at night, bearing a small
lighted lantern of talc; and the sleepers awakened, called to their
balconies by the unearthly music, gaze after the familiar apparition not
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