Bacon - English Men Of Letters, Edited By John Morley by Richard William Church
page 25 of 212 (11%)
page 25 of 212 (11%)
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varied turns of expression, heads and tails of clauses and paragraphs,
transitions, connections; he notes down fashions of compliment, of excuse or repartee, even morning and evening salutations; he records neat and convenient opening and concluding sentences, ways of speaking more adapted than others to give a special colour or direction to what the speaker or writer has to say--all that hook-and-eye work which seems so trivial and passes so unnoticed as a matter of course, and which yet is often hard to reach, and which makes all the difference between tameness and liveliness, between clearness and obscurity--all the difference, not merely to the ease and naturalness, but often to the logical force of speech. These collections it was his way to sift and transcribe again and again, adding as well as omitting. From one of these, belonging to 1594 and the following years, the _Promus of Formularies and Elegancies_, Mr. Spedding has given curious extracts; and the whole collection has been recently edited by Mrs. Henry Pott. Thus it was that he prepared himself for what, as we read it, or as his audience heard it, seems the suggestion or recollection of the moment. Bacon was always much more careful of the value or aptness of a thought than of its appearing new and original. Of all great writers he least minds repeating himself, perhaps in the very same words; so that a simile, an illustration, a quotation pleases him, he returns to it--he is never tired of it; it obviously gives him satisfaction to introduce it again and again. These collections of odds and ends illustrate another point in his literary habits. His was a mind keenly sensitive to all analogies and affinities, impatient of a strict and rigid logical groove, but spreading as it were tentacles on all sides in quest of chance prey, and quickened into a whole system of imagination by the electric quiver imparted by a single word, at once the key and symbol of the thinking it had led to. And so he puts down word or phrase, so enigmatical to us who see it by itself, which to him would wake up a |
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