The Atlantic Monthly, Volume 09, No. 51, January, 1862 by Various
page 36 of 323 (11%)
page 36 of 323 (11%)
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more fitting image; nor can he realize, till experience proves it to him,
that he is in the immediate vicinity of a weird and dreary region which might represent no less the goblin horrors of the damned. Around the foot of Vesuvius lie fair villages and villas garlanded with roses and flushing with grapes whose juice gains warmth from the breathing of its subterraneous fires, while just above them rises a region more awful than can be created by the action of any common causes of sterility. There, immense tracts sloping gradually upward show a desolation so peculiar, so utterly unlike every common solitude of Nature, that one enters upon it with the shudder we give at that which is wholly unnatural. On all sides are gigantic serpent convolutions of black lava, their immense folds rolled into every conceivable contortion, as if, in their fiery agonies, they had struggled and wreathed and knotted together, and then grown cold and black with the imperishable signs of those terrific convulsions upon them. Not a blade of grass, not a flower, not even the hardiest lichen, springs up to relieve the utter deathliness of the scene. The eye wanders from one black, shapeless mass to another, and there is ever the same suggestion of hideous monster life,--of goblin convulsions and strange fiend-like agonies in some age gone by. One's very footsteps have an unnatural, metallic clink, and one's garments brushing over the rough surface are torn and fretted by its sharp, remorseless touch,--as if its very nature were so pitiless and acrid that the slightest contact revealed it. The sun was just setting over the beautiful Bay of Naples,--with its enchanted islands, its jewelled city, its flowery villages, all bedecked and bedropped with strange shiftings and flushes of prismatic light and shade, as if they belonged to some fairy-land of perpetual festivity and singing,--when Father Francesco stopped in his toilsome ascent up the |
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