An History of Birmingham (1783) by William Hutton
page 86 of 347 (24%)
page 86 of 347 (24%)
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casts a look of disdain from a bundle of rags; it boasts the _honor_ of
a family, while poverty unites a sole and upper-leather with a bandage of shop-thread. There are people who even _pride_ themselves in humility. This dangerous _good_, this necessary _evil_, supports the female character; without it, the brightest part of the creation would degenerate. It will be asked, "What portion may be allowed?" Prudence will answer, "As much as you please, but _not_ to disgust." It is equally found in the senate-house, or the button-shop; the scene of action is the scene of pride; and I, unable to adorn this work with erudition, take a pride in cloathing a worn-out subject afresh, and that pride will increase, should the world smi ---- "But why, says my friend, do you forsake the title of your chapter, and lead us a dance through the mazes of pride? Can there be any connexion between that sovereign passion, and forging a bar of steel?" Yes, he who makes steel prides himself in carrying the art one step higher than he who makes iron. This art appeared among us in the seventeenth century; was introduced by the family of Kettle. The name of Steelhouse-lane will convey to posterity the situation of the works, the commercial spirit of Birmingham, will convey the produce to the Antipodes. From this warm, but dismal climate, issues the button, which shines on the breast, and the bayonet, intended to pierce it; the lancet, which bleeds the man, and the rowel, the horse; the lock, which preserves the beloved bottle, and the screw, to uncork it; the needle, equally |
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