may be, the country before 645 A.D. was given over to feudalism and
internal strife, while the power of the Mikado had sunk to a very low
ebb. The Mikado had had the civil power, but had allowed great
feudatories to acquire military control, so that the civil government
fell into contempt. Contact with the superior civilization of China made
intelligent people think that the Chinese constitution deserved
imitation, along with the Chinese morals and religion. The Chinese
Emperor was the Son of Heaven, so the Mikado came to be descended from
the Sun Goddess. The Chinese Emperor, whenever he happened to be a
vigorous man, was genuinely supreme, so the Mikado must be made so.

The similarity of the influence of China in producing the Restoration of
645 A.D. and that of Europe in producing the Restoration of 1867-8 is
set forth by Murdoch[43] as follows:--

In the summer of 1863 a band of four Choshu youths were smuggled
on board a British steamer by the aid of kind Scottish friends
who sympathized with their endeavour to proceed to Europe for
purposes of study. These, friends possibly did not know that some
of the four had been protagonists in the burning down of the
British Legation on Gotenyama a few months before, and they
certainly could never have suspected that the real mission of the
four youths was to master the secrets of Western civilization
with a sole view of driving the Western barbarians from the
sacred soil of Japan. Prince Ito and Marquis Inouye--for they
were two of this venturesome quartette--have often told of their
rapid disillusionment when they reached London, and saw these
despised Western barbarians at home. On their return to Japan
they at once became the apostles of a new doctrine, and their
effective preaching has had much to do with the pride of place