been used up or broken, and the fragments that remained were too
precious to be put in ordinary rooms. When larger pieces were
discovered, they were taken for the palaces of the princes, and even
these were but sparingly supplied, so that the saying "he has glass in
his window" was equivalent to "he belongs to the upper ranks".

On the recess of the window was an inkstand, which had been recently in
use, for a quill lay beside it, and a sheet of parchment partly covered
with writing. The ink was thick and very dark, made of powdered
charcoal, leaving a slightly raised writing, which could be perceived by
the finger on rubbing it lightly over. Beneath the window on the bare
floor was an open chest, in which were several similar parchments and
books, and from which the sheet on the recess had evidently been taken.
This chest, though small, was extremely heavy and strong, being dug out
with the chisel and gouge from a solid block of oak. Except a few
parallel grooves, there was no attempt at ornamentation upon it. The
lid, which had no hinges, but lifted completely off, was tilted against
the wall. It was, too, of oak some inches thick, and fitted upon the
chest by a kind of dovetailing at the edges.

Instead of a lock, the chest was fastened by a lengthy thong of oxhide,
which now lay in a coil on the floor. Bound round and round, twisted and
intertangled, and finally tied with a special and secret knot (the ends
being concealed), the thong of leather secured the contents of the chest
from prying eyes or thievish hands. With axe or knife, of course, the
knot might easily have been severed, but no one could obtain access to
the room except the retainers of the house, and which of them, even if
unfaithful, would dare to employ such means in view of the certain
punishment that must follow? It would occupy hours to undo the knot, and
then it could not be tied again in exactly the same fashion, so that the