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Sunny Memories Of Foreign Lands, Volume 1 by Harriet Beecher Stowe
page 23 of 409 (05%)
pathos, and its effectively powerful appeals to the judgment, the
conscience, and the heart; a work, indeed, of whose sterling worth the
earnest test is to be found in the fact of its having so universally
touched and stirred the bosom of our common humanity, in all classes of
society, that its humble name has become 'a household word,' from the
palace to the cottage, and of the extent of its circulation having been
unprecedented in the history of the literature of this or of any other
age or country. They would, at the same time, include in their hearty
welcome the Rev. C.E. Stowe, Professor of Theological Literature in the
Andover Theological Seminary, Massachusetts, whose eminent
qualifications, as a classical scholar, a man of general literature, and
a theologian, have recently placed him in a highly honorable and
responsible position, and who, on the subject of slavery, holds the same
principles and breathes the same spirit of freedom with his accomplished
partner; and, along with them too, another member of the same singularly
talented family with herself. They delight to think of the amount of
good to the cause of emancipation and universal liberty which her Cabin
has already done, and to anticipate the still larger amount it is yet
destined to do, now that the Key to the Cabin has triumphantly shown it
to be no fiction; and in whatever further efforts she may be honored of
Heaven to make in the same noble cause, they desire, unitedly and
heartily, to cheer her on, and bid her 'God speed.' I cannot but feel
myself highly honored in having been requested to move this resolution.
In doing so, I have the happiness of introducing to a Glasgow audience a
lady from the transatlantic continent, the extraordinary production of
whose pen, referred to in the resolution, had made her name familiar in
our country and through Europe, ere she appeared in person among us. My
judgment and my heart alike fully respond to every thing said in the
resolution respecting that inimitable work. We are accustomed to make a
distinction between works of nature and works of art, but in a sense
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