"Why then should I seek further store,
And still make love anew?
When change itself can give no more
'Tis easy to be true."

How infinitely more delightful, musical, and captivating are those
Cavalier singers--their numbers flowing fair, like their scented
lovelocks--than the prudish society poets of Pope's day. "The Rape of
the Lock" is very witty, but through it all don't you mark the sneer of
the contemptuous, unmanly little wit, the crooked dandy? He jibes among
his compliments; and I do not wonder that Mistress Arabella Fermor was
not conciliated by his long-drawn cleverness and polished lines. I
prefer Sackville's verses "written at sea the night before an
engagement":

"To all you ladies now on land
We men at sea indite."

They are all alike, the wits of Queen Anne; and even Matt Prior, when he
writes of ladies occasionally, writes down to them, or at least glances
up very saucily from his position on his knees. But Prior is the best of
them, and the most candid:

"I court others in verse--but I love thee in prose;
And they have my whimsies, but thou hast my heart."

Yes, Prior is probably the greatest of all who dally with the light lyre
which thrills to the wings of fleeting Loves--the greatest English writer
of _vers de societe_; the most gay, frank, good-humoured, tuneful and