The Argonautica by c. 3rd cent. B.C. Apollonius Rhodius
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strife. There are references to the quarrel in the writings of both.
Callimachus attacks Apollonius in the passage at the end of the _Hymn to Apollo_, already mentioned, also probably in some epigrams, but most of all in his _Ibis_, of which we have an imitation, or perhaps nearly a translation, in Ovid's poem of the same name. On the part of Apollonius there is a passage in the third book of the _Argonautica_ (11. 927-947) which is of a polemical nature and stands out from the context, and the well-known savage epigram upon Callimachus.[1] Various combinations have been attempted by scholars, notably by Couat, in his _Poésie Alexandrine_, to give a connected account of the quarrel, but we have not _data_ sufficient to determine the order of the attacks, and replies, and counter-attacks. The _Ibis_ has been thought to mark the termination of the feud on the curious ground that it was impossible for abuse to go further. It was an age when literary men were more inclined to comment on writings of the past than to produce original work. Literature was engaged in taking stock of itself. Homer was, of course, professedly admired by all, but more admired than imitated. Epic poetry was out of fashion and we find many epigrams of this period--some by Callimachus--directed against the "cyclic" poets, by whom were meant at that time those who were always dragging in conventional and commonplace epithets and phrases peculiar to epic poetry. Callimachus was in accordance with the spirit of the age when he proclaimed "a great book" to be "a great evil," and sought to confine poetical activity within the narrowest limits both of subject and space. Theocritus agreed with him, both in principle and practice. The chief characteristics of Alexandrianism are well summarized by Professor Robinson Ellis as follows: "Precision in form and metre, refinement in diction, a learning often degenerating into pedantry and obscurity, a resolute avoidance of everything commonplace in subject, sentiment or allusion." These traits are more prominent in Callimachus than in Apollonius, but they are |
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