Disputed Handwriting - An exhaustive, valuable, and comprehensive work upon one of the most important subjects of to-day. With illustrations and expositions for the detection and study of forgery by handwriting of all kinds by Jerome B. Lavay
page 126 of 233 (54%)
page 126 of 233 (54%)
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thick, heavy, and glossy, in character, and flow sluggishly from the
pen. Few of these become much darker by standing. In this class will be found the copying inks and those in which a large quantity of gums or similar thickening agents are used. Other inks are pale, limpid, and flow easily from the pen, and this class usually shows a notable darkening by exposure to sunlight and air. It will be unnecessary here to refer more particularly to the intermediate varieties or to discuss their various composition. It should be, remembered here that in the last twenty years, or since the introduction into general commerce of aniline colors, which Hofmann discovered in 1856, these latter have been employed more and more in writing fluids; not only in mixtures of which they are the principal ingredients, but to a greater or less degree in all inks. Their presence, even in small quantity, in the gallo-tannate of iron and logwood inks can be generally detected by an iridescent and semi-metallic luster. To assist in determining the ages of writings by one and the same ink, it is to be observed that the older the writing the less soluble it is in dilute ammonia. If the writing be lightly touched with a brush dipped in ten-per-cent ammonia, the later writing will always give up more or less soluble matter to the ammonia before the earlier. In case of inks of different kinds this test is not serviceable, for characters written in logwood ink, for instance, will always give up their soluble material sooner than nutgall inks, even if the last named be later applied. To estimate the age of writing from the amount of bleaching in a given time by hydrochloric or oxalic acid is very precarious, because the thickness of the ink film in a written |
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