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Disputed Handwriting - An exhaustive, valuable, and comprehensive work upon one of the most important subjects of to-day. With illustrations and expositions for the detection and study of forgery by handwriting of all kinds by Jerome B. Lavay
page 168 of 233 (72%)

Carelessness and patience also are frequently linked together, more
often in later life, when adversity has blunted the faculties, or the
drill routine of an uneventful existence has destroyed all romance.
Then the writing has short, up and down strokes, the curves are round,
the bars short and straight; there are no loops or flourishes, and the
whole writing exhibits great neatness and regularity.

Economy of living, curiously enough, is marked by a spare use of ink.
The terminals are abrupt and blunt, leaving off short. Where economy
is the result of circumstances, not disposition, only some of the
words are thus ended, while others have open, free curves and the long
letters are looped.

Generosity and liberality may be seen likewise in the end curve of
every word. Where these characteristics are inconstant and variable,
the disposition will be found to be uncertain--liberal in some
matters, while needlessly economical and stingy in others.

When a bar is placed below the signature, it means tenacity of
purpose, compared with extreme caution; also a dread of criticism and
adverse opinions. No dots to the letter "i" means negligence and want
of attention to details, with but a small faculty of observation. When
the dots are placed at random, neither above nor in proximity to the
letter to which they belong, impressionability, want of reflection and
impulsiveness may be anticipated.

Ambition and gratified happiness give to the whole writing an upward
tendency, while the rest of the writing is impulsive without much
firmness.
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