But man would mar them with an impious hand.

BYRON.


The Engraving represents one of the most comprehensive views of the
city, obtained from an eminence crowned by the chapel of Nossa Senhora
da Monte. It has been copied from one of Colonel Batty's faithful
Views,[1] and its details cannot better be explained than in the words
of the clever artist:

"From this elevation, the spectator, on turning to the south, has before
him the principal part of the busy capital. The Castle Hill, crowned by
a variety of buildings, and encircled by the old walls of its Moorish
fortifications, stands conspicuously on the left. Its northern slope is
planted with olive-trees, which add to its picturesque appearance, and
afford an agreeable relief to the eye in this widely extended scene of a
dense and populous city. On the right hand is another range of heights,
less elevated than the Castle Hill, but covered with buildings, amidst
which churches, convents, and hospitals, form prominent objects. The
valley, in the centre of the view, appears from this point to be choked
up with an almost impenetrable labyrinth of houses. This is, however,
now the most regular portion of the capital. Having been that part which
suffered most severely from the great earthquake of 1755, it has since
been rebuilt upon a uniform plan, with its streets intersecting each
other at right angles. In this quarter also are the two principal
pracas, or squares, in the city. The largest of these is the Praca do
Commercio, opening to the south upon the broad expanse of the Tagus.
Here formerly stood the royal palace, which was almost instantaneously
destroyed by the same memorable earthquake. The centre of this square is