oscuro_, after the antique, with, at each end, a circular recess,
separated by Corinthian columns, fluted, and a ceiling in stucco, gilt.
The drawing room has a rich carved ceiling; and the sides are hung with
three-coloured silk damask, the finest of the kind ever executed in
England. The antique mosaic tables, and the chimney-piece of this
apartment are very splendid, as are also the glasses, which are 108
inches by 65. The great gallery, serving for the library and museum, is
133-½ feet by 14, is in stucco, after the finest remains of antiquity,
and is remarkable as the first specimen of stucco work finished in
England. A series of medallion-paintings here represents the portraits
of all the earls of Northumberland, in succession, and other principal
persons of the houses of Percy and Seymour. At each end is a little
pavilion, finished in exquisite taste; as is also a beautiful closet
in one of the square turrets rising above the roof, which commands an
enchanting prospect.

From the east end of the gallery is a suite of private apartments
leading back to the great hall, and hung with valuable paintings,
among which are the following portraits: Henry Percy, ninth Earl of
Northumberland, who was implicated in the Gunpowder Plot, and imprisoned
in the Tower; he died November 5, 1632, the anniversary of the day so
fatal to his happiness. Lucy, Countess of Carlisle, his daughter, one of
the most admired beauties of her time; she also died November 5, 1660.
Algernon Percy, tenth Earl of Northumberland. Charles I. and one of his
sons, by Sir P. Lely. Charles I. by Vandyke. Queen Henrietta Maria,
Vandyke. The Duke of Gloucester, son of Charles I. The Princess
Elizabeth, daughter of Charles I.; this is believed to be the only
picture extant of this lady. The above portraits of the Stuart family
are placed in the apartments in which Charles had so many tender
interviews with his children, after the latter were committed to the