The Liberation of Italy by Countess Evelyn Martinengo-Cesaresco
page 27 of 439 (06%)
page 27 of 439 (06%)
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a watchword to the future:--
_Schiavi or siam si; ma schiavi almen frementi_. Like Foscolo's, Alfieri's life was a lesson in independence: angry at the scant measure of freedom in Piedmont, he could never be induced to go near his sovereign till Charles Emmanuel was staying at Florence as a proscript. Then the poet went to pay his respects to him, and was received with the good-humoured banter: 'Well, Signor Conte, here am I, a king, in the condition you would like to see them all.' Against the classical, not to say pagan, leanings of these two poets, a reaction set in with Alessandro Manzoni, the founder of Italian Romanticism, to which he gave an aspect differing from that which the same movement wore in France, because he was an ardent Catholic at a time when Christianity had almost the charm of novelty. His religious outpourings combine the fervour of the Middle Ages with modern expansion, and he freed the Italian language from pedantic restrictions without impairing its dignity. It was once the fashion to inveigh against Manzoni for, as it was said, inculcating resignation; but he did nothing of the kind. As a young man he had sung of the Italians as 'Figli tutti d'un solo Riscatto,' and though he was not of those who fight either with the sword or the pen, yet that 'Riscatto' was the dream of his youth and manhood, and the joy of his old age. His gentleness was never contaminated by servility, and the love for his country, profound if placid, which appears in every line of his writings, appealed to a class that could not be reached by fiery turbulence of thought. In an age when newspapers have taken the place of books, it may seem |
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