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Custom and Myth by Andrew Lang
page 30 of 257 (11%)

Loud wind,
Lasting wind,
Violent whistling wind,
Dig up the calm reposing sky,
Come, come.

In New Zealand {36a} 'the natives regarded the wind as an indication of
the presence of their god,' a superstition not peculiar to Maori
religion. The 'cold wind' felt blowing over the hands at spiritualistic
seances is also regarded (by psychical researchers) as an indication of
the presence of supernatural beings. The windy roaring noise made by the
bull-roarer might readily be considered by savages, either as an
invitation to a god who should present himself in storm, or as a proof of
his being at hand. We have seen that this view was actually taken by an
Australian woman. The hymn called 'breath,' or haha, a hymn to the
mystic wind, is pronounced by Maori priests at the moment of the
initiation of young men in the tribal mysteries. It is a mere
conjecture, and possibly enough capable of disproof, but we have a
suspicion that the use of the mystica vannus Iacchi was a mode of raising
a sacred wind analogous to that employed by whirlers of the turndun.
{36b}

Servius, the ancient commentator on Virgil, mentions, among other
opinions, this--that the vannus was a sieve, and that it symbolised the
purifying effect of the mysteries. But it is clear that Servius was only
guessing; and he offers other explanations, among them that the vannus
was a crate to hold offerings, primitias frugum.

We have studied the bull-roarer in Australia, we have caught a glimpse of
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