the hand will face the ceiling. The third and fourth fingers turned
slightly underneath the hand will form its support, and the pen, these
fingers and the muscles of the arm near the elbow form the only points
of rest or contact on desk or paper. The pen should point over the
shoulder, and should be so held that it may pass the root of the nail
on the second finger, and about opposite the knuckle of the hand. An
unnatural or cramped position of the hand, like such a position of the
body, is opposed to good writing, and after many years of observation
and study, all teachers concur in the one position above described,
as being the most natural, easy and graceful for the writer, and as
affording the most freedom and strength of movement.

Avoid getting the hand in an awkward or tiresome position, rolling it
over to one side, or drawing the fore finger up into a crooked shape.
Hold the pen firmly but lightly, not with a grip as if it were about
to escape from service. Do not say, "I can't" hold the pen correctly.
Habits are strong, but will may be stronger, and if you hold the pen
correctly in spite of old habits, for a few lessons, all will then
be easy, and the pen will take its position at each writing exercise,
with no effort whatever. Everything being in readiness, and the proper
position assumed, the writer must now obtain complete control of hand
and pen, by practice in movement.

[Illustration]


RAPIDITY.

One of the essentials of a practical business style of writing must be
rapidity of execution, in order to be of any avail in the necessities