XLI

=The Germ of 'Maud'=

[There was published in 1837 in _The Tribute_, (a collection of
original poems by various authors, edited by Lord Northampton), a
contribution by Tennyson entitled 'Stanzas,' consisting of xvi stanzas
of varying lengths (110 lines in all). In 1855 the first xii stanzas
were published as the fourth section of the second part of 'Maud.'
Some verbal changes and transpositions of lines were made; a new
stanza (the present sixth) and several new lines were introduced, and
the xth stanza of 1837 became the xiiith of 1855. But stanzas xiii-xvi
of 1837 have never been reprinted in any edition of Tennyson's works,
though quoted in whole or part in various critical studies of the
poet. Swinburne refers to this poem as 'the poem of deepest charm and
fullest delight of pathos and melody ever written, even by Mr
Tennyson.' This poem in _The Tribute_ gained Tennyson his first notice
in the _Edinburgh Review_, which had till then ignored him.]

XIII

But she tarries in her place
And I paint the beauteous face
Of the maiden, that I lost,
In my inner eyes again,
Lest my heart be overborne,
By the thing I hold in scorn,
By a dull mechanic ghost
And a juggle of the brain.