determinateness and his power seemed to make allies unnecessary;
and, independent of this great irreconcilable difference,
they wanted a piece containing very few characters
in the whole, but every character first-rate, and three
principal women. All the best plays were run over in vain.
Neither Hamlet, nor Macbeth, nor Othello, nor Douglas,
nor The Gamester, presented anything that could satisfy
even the tragedians; and The Rivals, The School for Scandal,
Wheel of Fortune, Heir at Law, and a long et cetera,
were successively dismissed with yet warmer objections.
No piece could be proposed that did not supply somebody
with a difficulty, and on one side or the other it was
a continual repetition of, "Oh no, _that_ will never do!
Let us have no ranting tragedies. Too many characters.
Not a tolerable woman's part in the play. Anything but _that_,
my dear Tom. It would be impossible to fill it up.
One could not expect anybody to take such a part.
Nothing but buffoonery from beginning to end.
_That_ might do, perhaps, but for the low parts. If I
_must_ give my opinion, I have always thought it the most
insipid play in the English language. _I_ do not wish
to make objections; I shall be happy to be of any use, but I
think we could not chuse worse."

Fanny looked on and listened, not unamused to observe
the selfishness which, more or less disguised, seemed to
govern them all, and wondering how it would end. For her
own gratification she could have wished that something
might be acted, for she had never seen even half a play,
but everything of higher consequence was against it.