the talents of your company a little better."

"Why, as to _that_, my good friend, till I and my company
have really acted there must be some guesswork; but I mean
no disparagement to Julia. We cannot have two Agathas,
and we must have one Cottager's wife; and I am sure I set
her the example of moderation myself in being satisfied
with the old Butler. If the part is trifling she will
have more credit in making something of it; and if she
is so desperately bent against everything humorous,
let her take Cottager's speeches instead of Cottager's
wife's, and so change the parts all through; _he_ is
solemn and pathetic enough, I am sure. It could make
no difference in the play, and as for Cottager himself,
when he has got his wife's speeches, _I_ would undertake
him with all my heart."

"With all your partiality for Cottager's wife,"
said Henry Crawford, "it will be impossible to make
anything of it fit for your sister, and we must not suffer
her good-nature to be imposed on. We must not _allow_
her to accept the part. She must not be left to her
own complaisance. Her talents will be wanted in Amelia.
Amelia is a character more difficult to be well represented
than even Agatha. I consider Amelia is the most difficult
character in the whole piece. It requires great powers,
great nicety, to give her playfulness and simplicity
without extravagance. I have seen good actresses fail
in the part. Simplicity, indeed, is beyond the reach
of almost every actress by profession. It requires