1821 to 1827 she lived in great style, and made herself remarked for
her taste and her dress; she had a day, an hour, for receiving visits,
and ere long she had seated herself on the throne, occupied before her
by Madame la Vicomtesse de Beauseant, the Duchesse de Langeais, and
Madame Firmiani--who on her marriage with M. de Camps had resigned the
sceptre in favor of the Duchesse de Maufrigneuse, from whom Madame
d'Espard snatched it. The world knew nothing beyond this of the
private live of the Marquise d'Espard. She seemed likely to shine for
long on the Parisian horizon, like the sun near its setting, but which
will never set.

The Marquise was on terms of great intimacy with a duchess as famous
for her beauty as for her attachment to a prince just now in
banishment, but accustomed to play a leading part in every prospective
government. Madame d'Espard was also a friend of a foreign lady, with
whom a famous and very wily Russian diplomate was in the habit of
discussing public affairs. And then an antiquated countess, who was
accustomed to shuffle the cards for the great game of politics, had
adopted her in a maternal fashion. Thus, to any man of high ambitions,
Madame d'Espard was preparing a covert but very real influence to
follow the public and frivolous ascendency she now owed to fashion.
Her drawing-room was acquiring political individuality: "What do they
say at Madame d'Espard's?" "Are they against the measure in Madame
d'Espard's drawing-room?" were questions repeated by a sufficient
number of simpletons to give the flock of the faithful who surrounded
her the importance of a coterie. A few damaged politicians whose
wounds she had bound up, and whom she flattered, pronounced her as
capable in diplomacy as the wife of the Russian ambassador to London.
The Marquise had indeed several times suggested to deputies or to
peers words and ideas that had rung through Europe. She had often