under whatsoever form it comes; the seraphic beauty that Luini put
into his Marriage of the Virgin, that noble fresco at Sarono; the
beauty that Rubens grasped in the tumult of his "Battle of the
Thermodon"; the beauty that five centuries have elaborated in the
cathedrals of Seville and Milan; the beauty of the Saracens at
Granada, the beauty of Louis XIV. at Versailles, the beauty of the
Alps, and that of this Limagne in which I stand?

Belonging to the estate, about which there is nothing too princely,
nor yet too financial, where prince and farmer-general have both lived
(which fact serves to explain it), are four thousand acres of
woodland, a park of some nine hundred acres, the mill, three leased
farms, another immense farm at Conches, and vineyards,--the whole
producing a revenue of about seventy thousand francs a year. Now you
know Les Aigues, my dear fellow; where I have been expected for the
last two weeks, and where I am at this moment, in the chintz-lined
chamber assigned to dearest friends.

Above the park, towards Conches, a dozen little brooks, clear, limpid
streams coming from the Morvan, fall into the pond, after adorning
with their silvery ribbons the valleys of the park and the magnificent
gardens around the chateau. The name of the place, Les Aigues, comes
from these charming streams of water; the estate was originally called
in the old title-deeds "Les Aigues-Vives" to distinguish it from
"Aigues-Mortes"; but the word "Vives" has now been dropped. The pond
empties into the stream, which follows the course of the avenue,
through a wide and straight canal bordered on both sides and along its
whole length by weeping willows. This canal, thus arched, produces a
delightful effect. Gliding through it, seated on a thwart of the
little boat, one could fancy one's self in the nave of some great