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Mugby Junction by Charles Dickens
page 16 of 76 (21%)
do this to a face lying on the sill of the open window, turned towards
them in a horizontal position, and apparently only a face, was something
noticeable. He looked up at the window again. Could only see a very
fragile, though a very bright face, lying on one cheek on the
window-sill. The delicate smiling face of a girl or woman. Framed in
long bright brown hair, round which was tied a light blue band or fillet,
passing under the chin.

He walked on, turned back, passed the window again, shyly glanced up
again. No change. He struck off by a winding branch-road at the top of
the hill--which he must otherwise have descended--kept the cottages in
view, worked his way round at a distance so as to come out once more into
the main road, and be obliged to pass the cottages again. The face still
lay on the window-sill, but not so much inclined towards him. And now
there were a pair of delicate hands too. They had the action of
performing on some musical instrument, and yet it produced no sound that
reached his ears.

"Mugby Junction must be the maddest place in England," said Barbox
Brothers, pursuing his way down the hill. "The first thing I find here
is a Railway Porter who composes comic songs to sing at his bedside. The
second thing I find here is a face, and a pair of hands playing a musical
instrument that _don't_ play!"

The day was a fine bright day in the early beginning of November, the air
was clear and inspiriting, and the landscape was rich in beautiful
colours. The prevailing colours in the court off Lombard Street, London
city, had been few and sombre. Sometimes, when the weather elsewhere was
very bright indeed, the dwellers in those tents enjoyed a pepper-and-salt-
coloured day or two, but their atmosphere's usual wear was slate or snuff
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