latter contributed over the familiar signature of "Jingle."

[Illustration: THE REAL ARTIST.
_From "Paris and Some Parisians"_]

It is by his work for the _Sketch_, however, that Frank Reynolds is
best known to the public. Credit is due to that enterprising journal
not only for the discrimination which has caused prominence to be
given to his drawings in its pages, but for the nice appreciation
of the artist's peculiar vein of humour which has given him a free
hand to produce those exquisitely subtle studies of character which
are his especial province. As examples of what a humorous drawing
should be they are well-nigh perfect. To Reynolds it is not enough
merely to depict a laughable situation or superficially comic types.
The humour of his drawings is inherent, not extraneous; his pictorial
jests are self-contained, so to speak, and the printed legend beneath
them is incidental only. Frank Reynolds produces a comedy where
other men succeed only in perpetrating a farce.

[Illustration: "KOSHY"]

[Illustration: NOTE FROM A PARIS SKETCH-BOOK]

[Illustration: FIRST SKETCH FOR "THE SUBURBANITE"]

[Illustration: THE SUBURBANITE.
A Sunday Morning Study.
_From "Social Pests"_]

[Illustration: A GOOD STUDY.