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Frank Reynolds, R.I. by A.E. Johnson
page 25 of 30 (83%)
As every frequenter of the variety theatre is aware, the programme
at such places of entertainment is arranged on certain well-defined
lines. The music-hall performer may be divided into certain very
distinct classes, each with its orthodox methods and mannerisms;
and it was on the little peculiarities of these different branches
of the profession that the artist seized with characteristic glee.

[Illustration]

How little his efforts, unfortunately, were taken in the spirit in
which they were meant, may be gleaned from the annoyance expressed
by one gentleman who considered himself, quite erroneously, to have
been singled out for individual ridicule. A certain drawing in
the series depicts "The Equilibrist"--an individual with an anxious
eye, who is poised upon a slack wire above the head of an admiring
assistant, balancing sundry cigar-boxes and wine-glasses on one toe,
while supporting on his head a lighted lamp, and discoursing sweet
music from a mandoline. The publication of this skit drew from a
wrathful professional an indignant letter, in which he declared that
insomuch as he was the one and only exponent of the equilibristic
art who could balance a lighted lamp upon his head, the picture
which illustrated this piece of "business" _must_ be intended as a
portrait of himself, though he considered it very badly done, and
a libellous production. From one point of view, it was surprising
that the impression of the "Lion Comique," as seen by Frank Reynolds,
elicited no similar response from the gentlemen of the boards, for
indisputably the picture was a portrait, and a perfect one, of each
individually and of all combined. On second thoughts, however, and
upon consideration of the drawing in question (which many readers
will remember), it is, perhaps, not so very surprising that no
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