Frank Reynolds, R.I. by A.E. Johnson
page 25 of 30 (83%)
page 25 of 30 (83%)
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As every frequenter of the variety theatre is aware, the programme
at such places of entertainment is arranged on certain well-defined lines. The music-hall performer may be divided into certain very distinct classes, each with its orthodox methods and mannerisms; and it was on the little peculiarities of these different branches of the profession that the artist seized with characteristic glee. [Illustration] How little his efforts, unfortunately, were taken in the spirit in which they were meant, may be gleaned from the annoyance expressed by one gentleman who considered himself, quite erroneously, to have been singled out for individual ridicule. A certain drawing in the series depicts "The Equilibrist"--an individual with an anxious eye, who is poised upon a slack wire above the head of an admiring assistant, balancing sundry cigar-boxes and wine-glasses on one toe, while supporting on his head a lighted lamp, and discoursing sweet music from a mandoline. The publication of this skit drew from a wrathful professional an indignant letter, in which he declared that insomuch as he was the one and only exponent of the equilibristic art who could balance a lighted lamp upon his head, the picture which illustrated this piece of "business" _must_ be intended as a portrait of himself, though he considered it very badly done, and a libellous production. From one point of view, it was surprising that the impression of the "Lion Comique," as seen by Frank Reynolds, elicited no similar response from the gentlemen of the boards, for indisputably the picture was a portrait, and a perfect one, of each individually and of all combined. On second thoughts, however, and upon consideration of the drawing in question (which many readers will remember), it is, perhaps, not so very surprising that no |
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