The Practice and Science of Drawing by Harold Speed
page 11 of 283 (03%)
page 11 of 283 (03%)
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XV. THE BIRTH OF VENUS
XVI. THE RAPE OF EUROPA XVII. BATTLE OF S. EGIDIO XVIII. SHOWING HOW LINES UNRELATED CAN BE BROUGHT INTO HARMONY XIX. SHOWING HOW LINES UNRELATED CAN BE BROUGHT INTO HARMONY XX. THE ARTIST'S DAUGHTER XXI. THE INFLUENCE ON THE FACE OF DIFFERENT WAYS OF DOING THE HAIR XXII. THE INFLUENCE ON THE FACE OF DIFFERENT WAYS OF DOING THE HAIR XXIII. EXAMPLES OF EARLY ITALIAN TREATMENT OF TREES XXIV. THE PRINCIPLE OF MASS OR TONE RHYTHM XXV. MASS OR TONE RHYTHM IN "ULYSSES DERIDING POLYPHEMUS" XXVI. EXAMPLE OF COROT'S SYSTEM OF MASS RHYTHM XXVII. ILLUSTRATING HOW INTEREST MAY BALANCE MASS XXVIII. PROPORTION * * * * * THE PRACTICE AND SCIENCE OF DRAWING I INTRODUCTION |
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