The Art of Interior Decoration by Emily Burbank;Grace Wood
page 20 of 187 (10%)
page 20 of 187 (10%)
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and shade you wish, it is often possible to use the wrong side of a
paper and produce exactly the desired effect. In repapering old rooms with imperfect ceilings it is easy to disguise this by using a paper with a small design in the same tone. A perfectly plain ceiling paper will show every defect in the surface of the ceiling. If your house or flat is small you can gain a great effect of space by keeping the same colour scheme throughout--that is, the same colour or related colours. To make a small hall and each of several small rooms on the same floor different in any pronounced way, is to cut up your home into a restless, unmeaning checkerboard, where one feels conscious of the walls and all limitations. The effect of restful spaciousness may be obtained by taking the same small suite and treating its walls, floors and draperies, as has been suggested, in the same colour scheme or a scheme of related keys in colour. That is, wood browns, beiges and yellows; violets, mauves and pinks; different tones of greys; different tones of yellows, greens and blues. Now having established your suite and hall all in one key, so that there is absolutely no jarring note as one passes from room to room, you may be sure of having achieved that most desirable of all qualities in interior decoration--repose. We have seen the idea here suggested carried out in small summer homes with most successful results; the same colour used on walls and furniture, while exactly the same chintz was employed in every bedroom, opening out of one hall. By this means it was possible to give to a small, unimportant cottage, a note of distinction otherwise quite impossible. Here, however, let us say that, if the same chintz is to be used in every |
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