The Art of Interior Decoration by Emily Burbank;Grace Wood
page 36 of 187 (19%)
page 36 of 187 (19%)
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Gives attractive corner by a window, the heavy silk brocade curtains of which are drawn. A standard electric lamp lights the desk, both modern-painted pieces, and the beautiful old flower picture, black background with a profusion of colours in lovely soft tones, is framed by a dull-gold moulding and gives immense distinction. The chair is Venetian Louis XV, the same period as desk in style. Not to be ignored in this picture is a tin scrap basket beautifully proportioned and painted a vivid emerald green; a valuable addition a note of cheerful colour. The desk and wooden standard of lamp are painted a deep blue-plum colour, touched with gold, and the silk curtains are soft mulberry, in two tones. [Illustration: _Corner of Room, Showing Painted Furniture, Antique and Modern_] Study values--just why and how much any decorative article decorates, and remember in furnishing a room, decorating a wall or dining-room table, it is not the intrinsic value or individual beauty of any one article which counts. Each picture on the wall, each piece of furniture, each bit of silver, glass, china, linen or lace, each yard of chintz or silk, every carpet or rug must be beautiful and effective _in relation to the others used_, for the _art_ of interior decoration lies in this subtle, or obvious, relationship of furnishings. We acknowledge as legitimate all schemes of interior decoration and insist that what makes any scheme good or bad, successful, or |
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