PLATE VIII

Shows an ideal mantel arrangement, faultless as a composition and
beautiful and rare in detail. The exquisite white marble mantel
is Italian, not French, of the time of Louis XVI.

Though the designs of this period are almost identical, one
quickly learns to detect the difference in feeling between the
work of the two countries. The Italians are freer, broader in
their treatment, show more movement and in a way more grace,
where the French work is more detailed and precise, hence at
times, by contrast, seems stilted and rigid.

Enchantingly graceful are the two candelabra, also Louis XVI,
while the central ornament is ideally chosen for size and design.

The dull gold frame of the mirror is very beautiful, and the
painting above the glass interesting and unusual as to subject
and execution.

The chair is a good example of Italian Louis XV.

[Illustration: _Example of a Perfect Mantel, Ornaments and Mirror_]


If you decide upon a very brilliant chintz use it only in one chair, a
screen, or in a valance over plain curtains with straps to hold them
back, or perhaps a sofa cushion. Whether a chintz is bright or dull,
its pattern is important. As with silks, brocaded in different