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The Art of Interior Decoration by Emily Burbank;Grace Wood
page 48 of 187 (25%)
In speaking of Gothic art we called attention to the fostering of art
by the Church during the Dark Ages. This continued, and we find that
in Henry VIII's time those who visited monasteries and afterward wrote
accounts of them call attention to the fact that each monk was
occupied either with painting, carving, modelling, embroidering or
writing. They worked primarily for the Church, decorating it for the
glory of God, but the homes of the rich and powerful laity, even so
early as the reign of Henry III (1216-1272), boasted some very
beautiful interior decorations, tapestries, painted ceilings and
stained glass, as well as carved panelling.

Bostwick Castle, Scotland, had its vaulted ceiling painted with
towers, battlements and pinnacles, a style of mural decoration which
one sees in the oldest castles of Germany. It recalls the illumination
in old manuscripts.




CHAPTER V

CANDLESTICKS, LAMPS, FIXTURES FOR GAS AND ELECTRICITY, AND SHADES


Candlesticks, lamps, and fixtures for gas and electricity must accord
with the lines of your architecture and furniture. The mantelpiece is
the connecting link between the architecture and the furnishing of a
room. It is the architect's contribution to the furnishing, and for
this reason the keynote for the decorator.

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