The Art of Interior Decoration by Emily Burbank;Grace Wood
page 48 of 187 (25%)
page 48 of 187 (25%)
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In speaking of Gothic art we called attention to the fostering of art
by the Church during the Dark Ages. This continued, and we find that in Henry VIII's time those who visited monasteries and afterward wrote accounts of them call attention to the fact that each monk was occupied either with painting, carving, modelling, embroidering or writing. They worked primarily for the Church, decorating it for the glory of God, but the homes of the rich and powerful laity, even so early as the reign of Henry III (1216-1272), boasted some very beautiful interior decorations, tapestries, painted ceilings and stained glass, as well as carved panelling. Bostwick Castle, Scotland, had its vaulted ceiling painted with towers, battlements and pinnacles, a style of mural decoration which one sees in the oldest castles of Germany. It recalls the illumination in old manuscripts. CHAPTER V CANDLESTICKS, LAMPS, FIXTURES FOR GAS AND ELECTRICITY, AND SHADES Candlesticks, lamps, and fixtures for gas and electricity must accord with the lines of your architecture and furniture. The mantelpiece is the connecting link between the architecture and the furnishing of a room. It is the architect's contribution to the furnishing, and for this reason the keynote for the decorator. |
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