Music Talks with Children by Thomas Tapper
page 15 of 118 (12%)
page 15 of 118 (12%)
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and with our ears, with the tongue and with the hands, what we do with
our thoughts even, is sure to say of itself whether we are doing with a willing heart or not. It is curious that the truth will come out of whatever seems to be a secret, but curious as it may be, it does come out. We must think of that. Every one of us knows the difference between doing willingly and unwillingly. We know that things done with joy and with eagerness are well done and seem to spring directly from the heart. Not only that, but they really inspire joy and eagerness in those who are about us. _Inspire_ is just the word. Look it up in your dictionary and see that it means exactly what happens--_to breathe into_--they breathe joy and happiness _into_ all things else, and it comes out of our hearts. Now happiness can be told in many ways: in laughter, in the eyes, in a game, in a life like that of Polissena's, in anything, but in nothing that does not win the heart. As happiness can be shown in anything, it can be shown in music. We can put happiness into play, likewise we can put happiness into music. And as much of it as we put into anything will come out. Besides, we might just as well learn now as at another time, this: Whatever we put into what we do will come out. It may be happiness or idleness or hatred or courage; whatever goes into what we do comes out very plainly. Everything, remember. That means much. If you should practise for an hour, wishing all the time to be doing something else, you may be sure that your wish is coming out of your playing so plainly that every one knows it. Do you think that is strange? Well, it may be, but it is strictly true. No one may be able to explain why and how, but certainly it is true that as we play our music all that goes on in the heart finds its way |
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