"Always I have been taught," she said, "to listen to music and to
think it. I have been taught this more than I have been taught to
play. And the music of the master-composers I always think of as
beautiful and simple but hard to make it sound as it should. Often I
have heard others say that the music of the masters is dull, and not
beautiful, but that is really not what the people feel. It is
difficult for them to play the music rightly. And again they cannot
understand this: that art is often simple in, its truth, while those
who look upon it are not! simple-hearted, as they regard it. This is
hard to understand, but it is the true reason."

Now, if we think of what this cultured lady said, we shall think her
wise. Whatever stumbling we may do with our fingers, let us still keep
in our minds the purity of the music itself. This will in a sense
teach us to regard reverentially the men who, from early years, have
added beauties to art for us to enjoy to-day. The wisest of the Greeks
[41] said:

"The treasures of the wise men of old, which they have left written in
books, I turn over and peruse in company with my friends, and if we
find anything good in them, we remark it, and think it a great gain,
if we thus become more attracted to one another."

Once an English lady[42] wrote about a verse-writer: "No poet ever
clothed so few ideas in so many words." Just opposite to this is a
true poet, he who clothes in few words many and noble ideas. A master
tells his message in close-set language.

Now, in the last minutes, let us see what a great master is: