united. Tones thus arranged according to the laws of music-writing
make sense. To learn this art all great composers have studied
untiringly. They have recognized the difficulty of putting much
meaning in little space, and to gain this ability they have found no
labor to be too severe.

We must remember that there is no end of music in the world which was
not written by the few men whom we usually call the great composers.
Perhaps you will be interested to know about these works. Many of them
are really good--your favorite pieces, no doubt. When we think of it,
it is with composers as with trees of the forest. Great and small,
strong and weak, grow together for the many purposes for which they
are created. They could not all be either great or small. There must
be many kinds; then the young in time take the place of the old, and
the strong survive the weak. Together beneath the same sky,
deep-rooted in the beautiful, bountiful earth, they grow side by side.
The same sun shines upon them all, the same wind and the same rain
come to them, selecting no one before another. What are they all
doing? Each living its true life, as best it can. It is true they may
not come and go, they may not choose, but as we see them, beautiful in
their leaves and branches we feel the good purpose to which they live
and, unconsciously, perhaps, we love them.

Among us it is quite the same. Some are more skilful than others. But
be our skill great or small, we are not truly using it until we have
devoted it to a worthy purpose. And as with us, so it is with the
musicians. There are the great and small. The great ones--leaders of
thought--we call the great masters. The lesser are earnest men, who
have not as much power as the masters, but they are faithful in small
things.