upon another, there is surely honor in his heart. If it were not so
his hands could not work faithfully.

If the work is finer, like that work in gold which many have learned
eagerly in former times, in Rome and Florence, still the spirit must
be the same. So we see, that be the work coarse or fine, it is in
either case prompted by the same kind of heart-thought.

Many times in these Talks I have spoken of Ruskin's words to you; for
two reasons: first, his words are always full of meaning, because he
was so full of thought when he wrote them; and second, I would have
you, from the first days, know something of him and elect him to your
friendship. Many times he will speak to you in short, rude words,
impatiently too, but never mind that, his heart is warm and full of
good.

Now from what was said a moment ago about the stone work and the gold
work we can understand these words:

"No distinction exists between artist and artisan, except that of
higher genius or better conduct."

Learn from this then, be the work of our hands what it may, its first
quality and the first things for which it shall be judged are its
honor, its faithfulness, and its sincerity.

Of themselves the hands are absolutely without power. They cannot
move, they cannot do good things nor bad things, they can do nothing
until we command them. And how shall this be done? Surely I can
understand it if you have wearied of this Talk a little. But I have