peal, so forced to hurry for a human festival, with their harshness made
light of, as though the Bishop of Hereford had again been forced to dance
in his boots by a merry highwayman.

The clock is an inexorable but less arbitrary player than the bellringer,
and the chimes await their appointed time to fly--wild prisoners--by twos
or threes, or in greater companies. Fugitives--one or twelve taking
wing--they are sudden, they are brief, they are gone; they are delivered
from the close hands of this actual present. Not in vain is the sudden
upper door opened against the sky; they are away, hours of the past.

Of all unfamiliar bells, those which seem to hold the memory most surely
after but one hearing are bells of an unseen cathedral of France when one
has arrived by night; they are no more to be forgotten than the bells in
"Parsifal." They mingle with the sound of feet in unknown streets, they
are the voices of an unknown tower; they are loud in their own language.
The spirit of place, which is to be seen in the shapes of the fields and
the manner of the crops, to be felt in a prevalent wind, breathed in the
breath of the earth, overheard in a far street-cry or in the tinkle of
some black-smith, calls out and peals in the cathedral bells. It speaks
its local tongue remotely, steadfastly, largely, clamorously, loudly, and
greatly by these voices; you hear the sound in its dignity, and you know
how familiar, how childlike, how life-long it is in the ears of the
people. The bells are strange, and you know how homely they must be.
Their utterances are, as it were, the classics of a dialect.

Spirit of place! It is for this we travel, to surprise its subtlety; and
where it is a strong and dominant angel, that place, seen once, abides
entire in the memory with all its own accidents, its habits, its breath,
its name. It is recalled all a lifetime, having been perceived a week,