point, and I knew you had it right. But when I woke up from a good
night's sleep and my head was clear again, then it came over me in
a flash that you might be mistaken after all. And I jumped out of
bed and got hold of my brushes and paints--but it was no use!
Every trace of illusion was gone--it was nothing but smears of
paint, and I quaked at the thought of having believed, and having
made others believe, that a painted canvas could be anything but a
painted canvas. The veil had fallen from my eyes, and it was just
as impossible for me to paint any more as it was to become a child
again.

GUSTAV. And then you saw that the realistic tendency of our day,
its craving for actuality and tangibility, could only find its
proper form in sculpture, which gives you body, extension in all
three dimensions--

ADOLPH. [Vaguely] The three dimensions--oh yes, body, in a word!

GUSTAV. And then you became a sculptor yourself. Or rather, you
have been one all your life, but you had gone astray, and nothing
was needed but a guide to put you on the right road--Tell me, do
you experience supreme joy now when you are at work?

ADOLPH. Now I am living!

GUSTAV. May I see what you are doing?

ADOLPH. A female figure.

GUSTAV. Without a model? And so lifelike at that!