Juana by Honoré de Balzac
page 12 of 79 (15%)
page 12 of 79 (15%)
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--due, perhaps, to the Moorish blood which vivified and colored it.
Her hair, raised to the top of her head, fell thence with black reflections round the delicate transparent ears and defined the outlines of a blue-veined throat. These luxuriant locks brought into strong relief the dazzling eyes and the scarlet lips of a well-arched mouth. The bodice of the country set off the lines of a figure that swayed as easily as a branch of willow. She was not the Virgin of Italy, but the Virgin of Spain, of Murillo, the only artist daring enough to have painted the Mother of God intoxicated with the joy of conceiving the Christ,--the glowing imagination of the boldest and also the warmest of painters. In this young girl three things were united, a single one of which would have sufficed for the glory of a woman: the purity of the pearl in the depths of ocean; the sublime exaltation of the Spanish Saint Teresa; and a passion of love which was ignorant of itself. The presence of such a woman has the virtue of a talisman. Montefiore no longer felt worn and jaded. That young girl brought back his youthful freshness. But, though the apparition was delightful, it did not last. The girl was taken back to the secret chamber, where the servant-woman carried to her openly both light and food. "You do right to hide her," said Montefiore in Italian. "I will keep your secret. The devil! we have generals in our army who are capable of abducting her." Montefiore's infatuation went so far as to suggest to him the idea of marrying her. He accordingly asked her history, and Perez very |
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