Woman and Labour by Olive Schreiner
page 166 of 168 (98%)
page 166 of 168 (98%)
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age is a rebellion. "My husband," she said, "is always increasingly
absorbed in his legal duties, of which I understand nothing, and which so do not interest me. My children are all growing up and at school. I have servants enough to attend to my house. When he comes home in the evening, if I try to amuse him by telling him of the things I have been doing during the day, of the bazaars I am working for, the shopping I have done, the visits I have paid, he is bored. He is anxious to get away to his study, his books, and his men friends, and I am left utterly alone. If it were not for the society of women and other men with whom I have more in common, I could not bear my life. When we first met as boy and girl, and fell in love, we danced and rode together and seemed to have everything in common; now we have nothing. I respect him and I believe he respects me, but that is all!" It is, perhaps, only in close confidences between man and man and woman and woman that this open sore, rising from the divergence in training, habits of life, and occupation between men and women is spoken of; but it lies as a tragic element at the core of millions of modern conjugal relations, beneath the smooth superficial surface of our modern life; breaking out to the surface only occasionally in the revelations of our divorce courts.) It is a gracious fact, to which every woman who has achieved success or accomplished good work in any of the fields generally apportioned to men will bear witness, whether that work be in the field of literature, of science, or the organised professions, that the hands which have been most eagerly stretched our to welcome her have been those of men; that the voices which have most generously acclaimed her success have been those of male fellow-workers in the fields into which she has entered. There is no door at which the hand of woman has knocked for admission into a new field of toil but there have been found on the other side the hands |
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