Woman and Labour by Olive Schreiner
page 23 of 168 (13%)
page 23 of 168 (13%)
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government, an almost infinite extension has taken place in the fields of
male labour. Where in primitive times woman was often the only builder, and patterns she daubed on her hut walls or traced on her earthen vessels the only attempts at domestic art; and where later but an individual here and there was required to design a king's palace or a god's temple or to ornament it with statues or paintings, today a mighty army of men, a million strong, is employed in producing plastic art alone, both high and low, from the traceries on wall-paper and the illustrations in penny journals, to the production of the pictures and statues which adorn the national collections, and a mighty new field of toil has opened before the anciently hunting and fighting male. Where once one ancient witch-doctress may have been the only creature in a whole district who studied the nature of herbs and earths, or a solitary wizard experimenting on poisons was the only individual in a whole territory interrogating nature; and where later, a few score of alchemists and astrologers only were engaged in examining the structure of substances, or the movement of planets, today thousands of men in every civilised community are labouring to unravel the mysteries of nature, and the practical chemist, the physician, the anatomist, the engineer, the astronomer, the mathematician, the electrician, form a mighty and always increasingly important army of male labourers. Where once an isolated bard supplied a nation with its literatures, or where later a few thousand priests and men of letters wrote and transcribed for the few to read, today literature gives labour to a multitude almost as countless as a swarm of locusts. From the penny-a-liner to the artist and thinker, the demand for their labour continually increases. Where one town-crier with stout legs and lusty lungs was once all-sufficient to spread the town and country news, a score of men now sit daily pen in hand, preparing the columns of the morning's paper, and far into the night a hundred compositors are engaged in a labour which requires a higher culture of brain and finger than most ancient kings and rulers possessed. Even in the |
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