farming the land to admiration, selling his corn in the market
himself, and distilling his own brandy, laughing at those who
ridiculed him, so long as he could pile up silver crowns, and now and
again round out his estate with another bit of land.

Circumstances unusual enough in out-of-the-way places in the country
had inspired Mme. de Bargeton with a taste for music and reading.
During the Revolution one Abbe Niollant, the Abbe Roze's best pupil,
found a hiding-place in the old manor-house of Escarbas, and brought
with him his baggage of musical compositions. The old country
gentleman's hospitality was handsomely repaid, for the Abbe undertook
his daughter's education. Anais, or Nais, as she was called must
otherwise have been left to herself, or, worse still, to some
coarse-minded servant-maid. The Abbe was not only a musician, he was
well and widely read, and knew both Italian and German; so Mlle. de
Negrepelise received instruction in those tongues, as well as in
counterpoint. He explained the great masterpieces of the French,
German, and Italian literatures, and deciphered with her the music of
the great composers. Finally, as time hung heavy on his hands in the
seclusion enforced by political storms, he taught his pupil Latin and
Greek and some smatterings of natural science. A mother might have
modified the effects of a man's education upon a young girl, whose
independent spirit had been fostered in the first place by a country
life. The Abbe Niollant, an enthusiast and a poet, possessed the
artistic temperament in a peculiarly high degree, a temperament
compatible with many estimable qualities, but prone to raise itself
above _bourgeois_ prejudices by the liberty of its judgments and
breadth of view. In society an intellect of this order wins pardon for
its boldness by its depth and originality; but in private life it
would seem to do positive mischief, by suggesting wanderings from the