poet grew bolder, and addressed the great lady as Nais, and there
followed a flash of anger that captivates a boy; she reproached him
for calling her by a name in everybody's mouth. The haughty and
high-born Negrepelisse offered the fair angel youth that one of her
appellations which was unsoiled by use; for him she would be "Louise."
Lucien was in the third heaven.

One evening when Lucien came in, he found Mme. de Bargeton looking at
a portrait, which she promptly put away. He wished to see it, and to
quiet the despair of a first fit of jealousy Louise showed him
Cante-Croix's picture, and told with tears the piteous story of a love
so stainless, so cruelly cut short. Was she experimenting with herself?
Was she trying a first unfaithfulness to the memory of the dead? Or
had she taken it into her head to raise up a rival to Lucien in the
portrait? Lucien was too much of a boy to analyze his lady-love; he
gave way to unfeigned despair when she opened the campaign by
entrenching herself behind the more or less skilfully devised scruples
which women raise to have them battered down. When a woman begins to
talk about her duty, regard for appearances or religion, the
objections she raises are so many redoubts which she loves to have
carried by storm. But on the guileless Lucien these coquetries were
thrown away; he would have advanced of his own accord.

"_I_ shall not die for you, I will live for you," he cried audaciously
one evening; he meant to have no more of M. de Cante-Croix, and gave
Louise a glance which told plainly that a crisis was at hand.

Startled at the progress of this new love in herself and her poet,
Louise demanded some verses promised for the first page of her album,
looking for a pretext for a quarrel in his tardiness. But what became