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Two Poets by Honoré de Balzac
page 69 of 192 (35%)
_noblesse_. Great natures are prone to make a virtue of misfortune; and
there is something irresistibly attractive about well-doing when
persisted in through evil report; innocence has the piquancy of the
forbidden.

Mme. de Bargeton's rooms were crowded that evening with friends who
came to remonstrate with her. She brought her most caustic wit into
play. She said that as noble families could not produce a Moliere, a
Racine, a Rousseau, a Voltaire, a Massillon, a Beaumarchais, or a
Diderot, people must make up their minds to it, and accept the fact
that great men had upholsterers and clockmakers and cutlers for their
fathers. She said that genius was always noble. She railed at boorish
squires for understanding their real interests so imperfectly. In
short, she talked a good deal of nonsense, which would have let the
light into heads less dense, but left her audience agape at her
eccentricity. And in these ways she conjured away the storm with her
heavy artillery.

When Lucien, obedient to her request, appeared for the first time in
the faded great drawing-room, where the whist-tables were set out, she
welcomed him graciously, and brought him forward, like a queen who
means to be obeyed. She addressed the controller of excise as "M.
Chatelet," and left that gentleman thunderstruck by the discovery that
she knew about the illegal superfetation of the particle. Lucien was
forced upon her circle, and was received as a poisonous element, which
every person in it vowed to expel with the antidote of insolence.

Nais had won a victory, but she had lost her supremacy of empire.
There was a rumor of insurrection. Amelie, otherwise Mme. de Chandour,
harkening to "M. Chatelet's" counsels, determined to erect a rival
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